August 1-4 Mississippi Branch Library, Songwriting Sessions
August 8-11 Banfill Locke Center For the Arts, Songwriting Sessions
August 12 Pathways, Minneapolis
September 25 Anoka County Library CD Release, Banfill Locke Center For the Arts
October 11-14 Sand Creek Elementary
October 24 Pathways, Minneapolis
October 24-28 Oxbow Creek Elementary
October 31-November 4 Adams Elementary
November 11 Private House Concert
November 12-13 First Lutheran, Milford, IA
November 17 Adams Elementary
November 17-18 Servant School
November 20 South Zumbro Lutheran
November 22-29 Epic Thanksgiving With Family
December 13 Pathways, Minneapolis
After seeing his impact with the senior citizens, I cleared my schedule to be able to accompany him to the pediatric wing at St. V's.
Associate Dean of Students, MSU Billings
This post is highly unlike me, but James did some things today that you can't put words to, captivated a room, deeply affected a small and lucky group of people, and made me realize I have a long way to go.
Jazz, music theory, low brass and World Music Faculty, MSU Billings
Thank you for bringing healing music that helped unify the women and their hearts. You rock!
Recreation Manager for Passages
Your connection with the families and staff is unparalleled, and we value your presence!!(See More)
Outlaw Ranch Director
My staff adores you - you inspire them to write and express themselves. That picking party is a BIG deal every summer.
Executive Director, Rainbow Trail Ltheran Camp
James Hersch worked with ease even with some of our most challenging students. He promoted music making in a whole new light as the students realized they were writing the lyrics to an original song that was not only entertaining, but told a story, too. He took ideas from everyone, making sure everyone got a part in the song-writing process. Each song reflects the interactions of the students and James throughout the process.
Through this unmarked door in backstreet Brooklyn, up a staircase, across a catwalk on the roof (tucked away doesn't capture it), lies a vestige of history, a museum I guess, of American guitar culture. Find old Mr Martin and Mr Gibson ready to transport you back with smokey sweet sounds that old wood makes. Long gone NYC luthiers are represented too. You can buy a 1920s box for $1.5K, a special Gibson L2 for $4.5K, or a Southern Jumbo for $25K. And they WANT you to try them all.
So play guitars down on Bleeker St, a couple blocks from Dylan's old apartment, because that's history. But you want to come to Retrofret in Brooklyn if you want to play, and maybe buy, a vintage guitar.
I wait in a barn for groups of kids. They're shepherded to me by counselors for a songwriting experience. I never let myself get ahead of the moment; never decide in my mind what song we'll write before they arrive. I know they'll have something to say. We'll make a song together in 30 minutes and sing it for the camp in an hour. All I can do is believe in it and do my best.
Today I saw some part of myself. The thirteen year old in my songwriting group has distinct views about how he wants his music to sound, and truth be told, is far ahead of thirteen year old me. He wields an electric guitar that tells the truth. But he listens too. He is just as jazzed by the ideas of others as he is about making his own ideas known. I've watched as my young songwriters honor each other with their generous compliments, and by their joy when another moves the group forward with an idea. I have been blessed by these 8 young people in my songwriting workshop.